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Buxtehude, Dietrich - Sacred Cantatas, Vol. 2 - Kirkby, Emma (soprano)


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Buxtehude’s legacy, for many centuries neglected, has more recently been re-appraised and its importance accepted, not only for the quality of its craftsmanship but also for its undeniable influence on composers such as J.S. Bach.

The organist of the Marienkirche in Lübeck, Dietrich Buxtehude would often direct a vocal piece during the morning or afternoon service. Small-scale pieces constitute the majority of his vocal output and may have been performed during such services, or outside church, in household devotion or in informal gatherings. At the Swedish court in Stockholm the Kapellmeister, Gustaf Düben, assembled a vast collection of vocal compositions, including much of Buxtehude’s output.

The tunefulness and characteristic strophic text setting of the sacred aria, although with several added layers of musical elaboration, can be heard in Nichts soll uns scheiden von der Liebe Gottes. A strophic text is also the basis of Das neugebor’ne Kindelein.The tunefulness of the aria enters An filius non est Dei whose Passiontide atmosphere is evoked with a rich texture of three violas da gamba and continuo, ideal for poignant harmonies. The constant iteration of the bass line characteristic of the ciaccona could create a mesmeric effect, particularly apt in Jesu dulcis memoria in which the onward tread of the walking bass creates continuity across the ends of strophes; the effect is like a ceaseless outpouring of sweetness.

Quemadmodum desiderat cervus also has a ciaccona bass, against which Buxtehude offers a multitude of different figures in the upper voices, ranging from lilting slurs to ecstatic melismas. A related piece is Jesu, komm, mein Trost und Lachen. Cantatas that use passages of Biblical prose set each verse of text to an individually characterised musical phrase, often with instrumental commentary, as in Herr, nun läßt du deinen Diener which concludes with a joyful gigue. A similar gigue is used at the end of Dixit Dominus Domino meo, a setting of Psalm 110. More ambitious is the setting of Psalm 103, verses 1 – 5, Lobe den Herrn, meine Seele. Here the lush key of A major and the opulent string texture of three violins, two violas and continuo all serve to strengthen the exhilaration of praise.


Tietoja
Tuotenumero CHAN0723
Viivakoodi 0095115072325
Julkaisupäivä 1.9.2006
Kategoria Klassinen
Levymerkki Chandos / Chaconne
Formaatti CD
Tuotteiden lukumäärä 1
Esittäjät
Artistit Kirkby, Emma (soprano)
Säveltäjät Buxtehude, Dietrich
Levy: 1
Das neugebor'ne Kindelein, BuxWV13
1 Das neugebor'ne Kindelein, BuxWV13
2 Quemadmodum desiderat cervus, BuxWV92
3 Nichts soll und scheiden von der Liebe Gottes
4 Wie sollte wohl heißen das zeitliche Leiden
5 Auch ist kein erschaffnes Vermögen zu nennen
6 Denn Gott hat die Liebe so hoch ja getrieben
7 Sonata
8 Dixit Dominus Domino meo
9 Juravit Dominus
10 Dominus a dextris tuis confregit
11 ...conquassabit capita in terra multorum
12 Gloria patri et filio et spiritui sancto
13 Sonata
14 An filius non est Dei
15 Quin immo Jesus est meus
16 Tu nectar es verissimum
17 Longe sapor dulcissimi
18 Amen
19 [Sonata]
20 Lobe den Herrn, meine Seele
21 Der dir alle deine Sünde vergibet
22 Der deinen Mut fröhlich macht
23 Alleluia
24 Jesu, komm, mein Trost und Lachen, BuxWV58
25 Sinfonia
26 Herr, nun läß du deinen Diener im Friede fahren
27 ...denn meine Augen haben deinen Heiland gesehen
28 ...ein Licht zu releuchten die Heiden
29 Jesu dulcis memoria, BuxWV57
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